Hugo Stiglitz Makes Movies

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Director Retrospectives

 Ken Russell: 
- Women in Love
- The Devils
- The Music Lovers
- The Boy Friend
- Savage Messiah
- Mahler 
- Tommy
- Lisztomania
- Valentino  
- Altered States 
- Crimes of Passion 
- Gothic
- Lair of the White Worm   

Oliver Stone:
- Salvador
- Platoon
- Wall Street
- Talk Radio
- Born on the Fourth of July
- The Doors
- JFK  
- Heaven and Earth
- Natural Born Killers 
- Nixon 
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"I suppose I think of film criticism the way I've heard Hebrew scholars describe their approach to the Torah: It's not about discovering dogma, it's about learning to ask meaningful questions, even if you can never fully answer them."

--
Jim Emerson

"Style is supposed to express content, dammit--not disguise a lack of it! The meaning of a film is in what these images on the screen (and don't forget the sounds!) do to you while you experience them. (As you so eloquently put it: a film is about what happens to you when you're watching it.) If you ask me, we should stop seeing style and content as separate entities. In a good film, they're a natural unity."

-- Peet Gelderblom


"Clearly, this does not mean that Friday the 13th is more "valuable" than Jeanne Dielman [...] But, given the great many people who have seen Friday the 13th, where is the intellectual dignity in saying, "it's crap", and being done with it? Anything that has become an iconic part of popular culture is therefore inherently worthy of exploration if not automatic respect[...] If we simply throw it out with the bathwater, on the grounds that it isn't "artistic", we also throw out the possibility of ever finding out."

-- Tim Brayton


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Who is Hugo Stiglitz?

Who is Hugo Stiglitz?

Other Blogs I Contribute To:

Decisions at Sundown

Edward Copeland on Film


It's Garbage Day! -- An Olson Brothers Blog

What I Read

  • The Kind of Face You Hate
    Maybe Down in Mexico Or a Picture Up On Somebody's Shelf -
    3 hours ago
  • Wonders in the Dark
    The Baby Boom Fuse: Garry Trudeau’s “Doonesbury” on Page and Screen - By Bob Clark Though it’s been more and more infrequent in the past fifteen years or more, there used to be a fairly common occurrence of half-hour animated...
    6 hours ago
  • MONDO 70: A Wild World of Cinema
    By Special Arrangement with Satan: NOW PLAYING, MAY 25, 1962 - *C*harleston gets pride of place this weekend. Sounds like a pretty good show on the screen, and the live stuff is a bonus. But shouldn't they be offerin...
    10 hours ago
  • CINEMA GONZO
    LOVE EXPOSURE (2008) - The three main characters in *Love Exposure* share one thing in common; they were all damaged by their fathers, but in different ways. Yu’s mother die...
    13 hours ago
  • Observations on film art
    “Indie blockbuster franchise” is not an oxymoron - Kristin here: The Cannes Film Festival continues even as I type. Much of the wheeling and dealing at the market that accompanies the festival is being driv...
    15 hours ago
  • Radiator Heaven
    The Stranger - *The Stranger* (1946) is generally regarded by Orson Welles aficionados as a standard thriller done for money, and to prove to studio executives that he c...
    15 hours ago
  • Not Just Movies
    Criminally Underrated: The Limits of Control - I loved Jim Jarmusch's divisive (to say the least) post-modern noir when it came out in 2009, and finally watching one of its biggest inspirations, *The La...
    17 hours ago
  •  Only the Cinema
    Three Stan Brakhage shorts, 1995-1997 - I Take These Truths is one of Stan Brakhage's painted shorts, and indeed it offers up a near-exhaustive catalog of the many styles and techniques associate...
    19 hours ago
  • Antagony & Ecstasy
    YOU SUNK MY WILL TO LIVE! - I spent some time trying to massage "Blandleship" and "Baddleship" into a form that didn't just hurt to look at it, and as you can tell, I failed. Anyone ...
    1 day ago
  • The Death Rattle
    The Night Evelyn Came Out of the Grave (1971) - Directed by Emilio Miraglia. Starring Anthony Steffen ("Lord Alan Cunningham"), Marina Malfatti ("Gladys"), Enzo Tarascio ("George Harriman"), and Giacomo ...
    1 day ago
  • House of Self-Indulgence
    Hard Ticket to Hawaii (Andy Sidaris, 1987) - Is there such a thing as bare nipple fatigue? How about rocket launcher sluggishness? If these phony-sounding afflictions are in fact real, I didn't succu...
    1 day ago
  • Some Came Running
    Literary interlude - Mass Cards #17 As to what is left that is our only way home over what is already gone to a painted head of Alexander Hamilton hanging inside clouds about the...
    1 day ago
  • Ferdy on Films
    The Captain Hates the Sea (1934) - Director: Lewis Milestone By Marilyn Ferdinand The last time I mentioned John Gilbert in a review, it led to a lively discussion about why I was cracked no...
    1 day ago
  • Cinema Du Meep
    Meep Pic Of The Week: Night Warning (1983) - ** *Night Warning* *From Comworld Pictures* *Estimated Original Theatrical Release: February 1983* In the mood for some Jimmy McNichol and one crazy Susan...
    1 day ago
  • The Long Voyage Home
    Video of the Day / 24.May.12 - *I always hated that term 'reference.' Obviously, if you decide to live in that little island that is cinema, it's a beautiful island that has a cemetery...
    1 day ago
  • 3B Theater: Micro-Brewed Reviews
    Video Purgatory :: Why Isn't This Available on DVD Again? :: Charles Band's Crash! (1976) - __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ "Take a moment and try to envision what a feature-length episode of Night Gallery would have been like ...
    1 day ago
  • The Agitation of the Mind
    BOND-A-THON: Diamonds Are Forever - ‘Diamonds Are Forever’: in which the director of ‘Goldfinger’ is back at the helm, Sean Connery is back in the lead role, God is in His heaven and all is...
    2 days ago
  • Moon In The Gutter
    A new Joseph W. Sarno Collection is on the way! - Joseph W. Sarno's landmark film *Inga*, as well as its solid sequel *The Seduction of Inga*, have been out of print on DVD for a number of years now so the...
    2 days ago
  • Acidemic - Film
    We seem to go way back... (THE LADY EVE, BELL BOOK AND CANDLE, BRINGING UP BABY) - A lot of us film lovers have mountains of DVDs at home which we never watch more than once, but there are some that we watch over and over, that we love ...
    3 days ago
  • scanners
    Cannes & Cannes-not: Each to his own subculture... - We all live in our own little subcultures. In mine -- loosely categorized as international film-festival cinephiliacs -- big-name contemporary filmmakers suc...
    3 days ago
  • The Cooler
    The Conversations: Michael Haneke - After an unusually lengthy delay, The Conversations series is back with, well, an usually long discussion – even by our unusually long standards. This ed...
    3 days ago
  • Roger Ebert's Journal
    A symphony of voices - The video on this page was an undercover project, I learn, at Ebertfest 2012. Most of my Far-Flung Correspondents and Demanders were there in person, and tho...
    3 days ago
  • This Island Rod
    Coda: For The Love of Film - Well, folks, the 2012 Film Preservation Blogathon has wrapped up, and I can say without hesitation that it’s been a great success. The six days of the blo...
    4 days ago
  • The Official Blog of D. H. Schleicher
    Don’t Mess with Texas or Bernie - I should preface this review by saying I’m no fan of Jack Black (though I think he sometimes gets an unfair wrap) or Shirley MacLaine (she’s a shrill weird...
    5 days ago
  • Little Worlds
    Boom! - Boom, indeed! There is a lot of action in Hasbro’s movie, *Battleship*, but you have to sit through a painful thirty minutes before the action gets starte...
    6 days ago
  • Basement of Ghoulish Decadence
    Interesting New (Old?) Land of the Dead Trailer... - . Just ran across this trailer and it struck me as curious because it's not the original "*ultimate masterpiece*" theatrical trailer. This one feels like a...
    1 week ago
  • Icebox Movies
    The Ring (1927) - “It’s a story about two prize fighters who are in love with the same woman,” said Francois Truffaut. “I like that picture very much.” “Yes,” agreed the ...
    1 week ago
  • Sergio Leone and the Infield Fly Rule
    REEL CHANGE: HELPING JULIA MARCHESE'S OUT OF PRINT BECOME A REALITY - When I started going back to the New Beverly Cinema regularly in 2007, one of the first people I noticed there visit after visit was *Julia Marchese*. I...
    1 week ago
  • She Blogged By Night
    Just Plain Something: Alfred Hitchcock's Rope (1948) - This post is the SBBN entry for the *2012 For the Love of Film Blogathon*, dedicated to raising funds to allow the 1923 film *The White Shadow*, much of w...
    1 week ago
  • Cinema Styles
    I Have Nothing New To Say About Alfred Hitchcock - I can think of nothing to say about Alfred Hitchcock that several million fans, critics, directors and writers haven't already said. Nothing. Not a goddam...
    1 week ago
  • Eternal Sunshine Of The Logical Mind
    And People Wonder Why I Love Seijun Suzuki? - *An ordinary director would say, "This isn't realistic. It's absurd." With him, though, even if I presented a somewhat unusual idea, he'd take it apart a...
    1 week ago
  • Cinema Viewfinder
    For the Love of Film III: Rear Window (1954) - by Tony Dayoub *This post is a considerable reworking of a piece I posted on 3/20/09. It's also a contribution to For the Love of Film: The Film Preservat...
    1 week ago
  • The Dancing Image
    Ben-Hur - Around 1991, when I kicked off my video collection in earnest (the few kids' films I owned up to that point didn't really count towards a self-conscious ...
    1 week ago
  • Extended Cut: Simon Abrams's Film Journal
    137) Sleepless Night (2011) - 137) Sleepless Night (2011) Dir: Frederic Jardin Date Released: May 11, 2012 Date Seen: May 9, 2012 Rating: 2/5 Didn't do much for me, alas. See my review...
    1 week ago
  • Big Media Vandalism
    EbertFest Coverage - by Odienator *It's been a long time* *I shouldn't have left you* *Without a strong rhyme to step to...* Enough Eric B. and Rakim. You're probably wondering...
    2 weeks ago
  • The Man From Porlock
    'Away From the Things of Man': Ebertfest 2012 - For the second consecutive spring, the Roger Ebert Overlooked Film Festival wins the Good Timing Award: just as I'm feeling run down by the real world and ...
    3 weeks ago
  • Quiet Cool
    Prince of Darkness (1987) - One of the fondest memories of my childhood took place when I was eleven years old and in a packed house, Houston movie theatre. There was a matinee showin...
    1 month ago
  • Things That Don't Suck
    Bullhead - “*Wounds** create monsters and you are wounded.**”* The above is one of my favorite lines from *Shutter Island*and it ran through my mind all throughout...
    1 month ago
  • Edward Copeland on Film...and more
    America's first family - *NOTE:* Ranked No. 19 on my all-time top 100 of 2007 *KATIE COURIC*: What is your favorite movie? *SEN. BARACK OBAMA*: Oh, I think it would have to be *Th...
    2 months ago
  • Final Girl
    It's that time! - What time? The time I say... Final Girl is on hiatus. WHAT. Yes, friends, it must happen. I have a shit ton of work to do in the world of comics, and I c...
    2 months ago
  • Gateway Cinephiles
    My Own Private Apocalypse: The Dream Terrors and Waking Terrors of Take Shelter - [Note: This essay contains spoilers. It is an expansion of my original October 2011 post on Take Shelter.] When suddenly / Johnny / gets the feeling / he’s...
    2 months ago
  • Arbogast on Film
    -
    4 months ago
  • English One-O-Worst
    What He Rightly Is: King Lear as King and Man, Parent and Child - *The Tragedie of King Lear*, by William Shakespeare, 1606. Woodcut illustration for "The Tragedy of King Lear" by Claire Van Vliet Come, sir. I would you ...
    6 months ago
  • Elusive As Robert Denby
    Argh - I had been working on editing a video to post for Kevin’s 2nd Annual Italian Horror Blogathon on the great so-bad-it’s-good Bruno Mattei/Claudio Fragasso...
    6 months ago
  • Aspiring Sellout
    Cameraman (2010) ** / A Serbian Film (2010) *** - More Slant reviews! One documentary and one transgressive film that I liked quite a bit. As a proud Powell and Pressburger completist, my chief complaint r...
    1 year ago
  • Medfly Quarantine
    The Morality of Noir: Femme Fatale - This is my contribution to For the Love of Film (Noir): The Film Preservation Blogathon, hosted by Marilyn Ferdinand of Ferdy on Films and Farran Nehme of...
    1 year ago
  • Goodfella's Movie Blog
    Directors Series Wrap-Up - OK, so the countdown did not conclude with the exact scenario that I would have chosen, but all in all I still found it to be one of the most rewarding se...
    1 year ago
  • Cerebral Mastication
    test - By Matt Zoller Seitz & Ali Arikan *Matt Zoller Seitz*: We gather here today to celebrate the talent, longevity and all-around wonderfulness of John William...
    2 years ago
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Blog Archive

  • ►  2012 (16)
    • ►  April (2)
      • New Quiz from SLIFR: SISTER CLODAGH'S SUPERFICIALL...
      • The Dead Pool
    • ►  March (9)
      • Sudden Impact
      • The Enforcer
      • Magnum Force
      • Dirty Harry
      • Basic Instinct
      • Through a Glass Darkly
      • Lethal Weapon turns 25
      • Catching up with 2011: Midnight in Paris
      • Catching up with 2011: Take Shelter
    • ►  February (2)
      • Ken Russell: Gothic/Lair of the White Worm
      • Four Years of Blogging and 2011 (sorta) in Review
    • ►  January (3)
      • Catching up with 2011: Moneyball
      • Catching up with 2011: Hugo
      • Catching up with 2011: The Descendants
  • ►  2011 (46)
    • ►  December (6)
      • Catching up with 2011: The Ides of March
      • Catching up with 2011: 50/50
      • Catching up with 2011: Super
      • Catching up with 2011: Our Idiot Brother
      • My Favorite Albums of 2011
      • Oh, hey, readers...
    • ►  November (1)
      • Italian Horror Blogathon: Postscript
    • ►  October (10)
      • Italian Horror Blogathon: Day Six
      • Italian Horror Blogathon: The Sect (aka La setta, ...
      • Italian Horror Blogathon: Cannibal Apocalypse (aka...
      • Italian Horror Blogathon: The Perfume of the Lady ...
      • Italian Horror Blogathon: Scorpion with Two Tails ...
      • Italian Horror Blogathon: Graveyard Disturbance (a...
      • Italian Horror Blogathon: Absurd (AKA Rosso Sangue...
      • Italian Horror Blog-a-thon is tomorrow!
      • New Halloween-themed Quiz from SLATIFL
      • The Color of Money
    • ►  September (2)
      • The Italian Horror Blog-a-thon Returns!
      • Greetings
    • ►  August (5)
      • Summer of Slash: The Final Terror
      • Summer of Slash: Frightmare
      • Summer of Slash: Hitcher in the Dark
      • Summer of Slash: Hell Night
      • Summer of Slash: The Boogeyman (1980)
    • ►  July (7)
      • Summer of Slash: He Knows You're Alone
      • Ken Russell: Crimes of Passion
      • Summer of Slash: Cheerleader Camp
      • Some Quick Thoughts on Justified, Season 2
      • Curb Your Enthusiasm, Season 8: “The Divorce”
      • Summer of Slash: Slaughter High
      • Summer of Slash returns!
    • ►  June (5)
      • Wonder, Hope, and Love: Further thoughts on The Tr...
      • Record Club #2 -- Brand New
      • Initial Reaction: The Tree of Life
    • ►  May (2)
    • ►  February (2)
    • ►  January (6)
  • ▼  2010 (102)
    • ►  December (9)
    • ►  November (4)
    • ►  October (6)
    • ►  September (10)
    • ▼  August (10)
      • Oliver Stone: Talk Radio and Born on the Fourth of...
      • New Blog Design
      • Oliver Stone: Wall Street
      • Oliver Stone: Salvador and Platoon
      • Director Retrospectives: Oliver Stone
      • The Kids Are Alright
      • Two from John Huston: Prizzi’s Honor and Under the...
      • Why The Expendables will be the best movie I see t...
      • Summer of Slash: Wrap-up
      • In Defense of Miami Vice
    • ►  July (9)
    • ►  June (9)
    • ►  May (8)
    • ►  April (1)
    • ►  March (13)
    • ►  February (8)
    • ►  January (15)
  • ►  2009 (152)
    • ►  December (13)
    • ►  November (7)
    • ►  October (12)
    • ►  September (25)
    • ►  August (10)
    • ►  July (19)
    • ►  June (15)
    • ►  May (14)
    • ►  April (14)
    • ►  March (10)
    • ►  February (7)
    • ►  January (6)
  • ►  2008 (53)
    • ►  November (1)
    • ►  October (6)
    • ►  September (1)
    • ►  August (4)
    • ►  July (4)
    • ►  June (4)
    • ►  May (6)
    • ►  April (1)
    • ►  March (3)
    • ►  February (5)
    • ►  January (18)

Blog Awards

Blog Awards




A Proud Member of the LAMB

Large Association of Movie Blogs

Past Blog-a-Thons

Past Blog-a-Thons

A List of What I Mostly Write About

  • 2009 Movies
  • 2010 Movies
  • Action Movies
  • Australian Horror
  • Blog-a-Thon
  • Canadian Slashers
  • Capsule Reviews
  • Decisions at Sundown
  • Director Retrospectives
  • Documentaries
  • DVD Reviews
  • End of the Decade Lists
  • Essays
  • Film Noir
  • French Cinema
  • Giallo
  • Horror
  • Hugo Stiglitz
  • Italian Horror
  • Italian Horror Blog-a-thon
  • Lists Are Fun
  • Martin Scorsese
  • Michael Mann
  • Michele Soavi
  • My Top 10
  • Neo-Noir
  • Oliver Stone
  • Question of the Day
  • Random Blogging
  • Really Bad Movies
  • Revisiting 1999
  • Salem Film Festival
  • Slasher Movies
  • Summer of Slash
  • The Best Films of the 2000's
  • Top 10 Films of 2008
  • Top 10 Films of 2009
  • Top 50 Films of the Decade
  • Westerns
  • Wonders in the Dark
  • zombies

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Popular Posts

  • Oliver Stone: Wall Street
    Taking a break from traditional war zones, Oliver Stone decided to move from the jungles of El Salvador and Vietnam to the jungle of Wall S...
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    EDITED TO ADD: I just realized that there may be some spoilery things in here...so be careful. But really, you shouldn't be reading this if...
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    Much has been made of The Coen's tinkering with the ending to their newest film True Grit – an adaptation of a novel by Charles Portis whic...
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    I remember seeing tons of shows as a teenager where I would gladly be packed shoulder to shoulder with other sweaty music fans – packed lik...
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    Woody Allen’s Midnight in Paris is fantastical, whimsical yarn of magical realism that is his best comedic work since the criminally und...
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