Catching up with 2012: The Avengers
“A movie like "Marvel's The Avengers" doesn't need critics and critics don't need it.”
“[T]he movie has some of the easygoing charm of "Rio Bravo," Howard Hawks's great, late western in which John Wayne, Angie Dickinson, Dean Martin and Ricky Nelson did a lot of talking on their way to a big and not-all-that-interesting shootout. The difference is that, in keeping with the imperatives of global franchise entertainment, the big shootout in "The Avengers" must be enormous, of a scale and duration that obliterates everything else.”
So, I finally saw The
Avengers. Two things: the first quote is from Jim Emerson in this piece here.
Everything he says about the film is spot on (although I think I like the CGI
shot at the end more than the one he mentions in his essay). The second quote
is from A.O. Scott’s article found
here. I like that he mentions how some of the scenes involving Thor, Hulk, Iron
Man, Black Widow, and Captain America reminded him of the “easygoing charm” of
one of Howard Hawks’ greatest movies. He’s right: there’s a certain amiability
that is infectious throughout the middle of The
Avengers. There isn’t a cynical note in the film. I appreciated that. Oh, and
you don’t have to be a comic book fan, geek, nerd, or whatever do enjoy it.
Lord knows I have little to no knowledge of the vast Marvel Universe, yet it doesn’t
seem to matter as writer/director Joss Whedon just kind of comes right out
(well, he has his characters come right out) and says what the audience is
thinking, “we don’t need the logic; just give us what we came for: the crème-de-la-crème
of Marvel superheroes teaming together – sharing the same frame – to jape and
jest and smash things real good.”
So, yes, Emerson is right in that a movie like The Avengers doesn’t really need anyone
to say whether it’s good or bad (especially someone getting to it as late as I
am). But, here goes: I liked it. I liked the breezy way it moved through its exposition. I
liked the cast and the quips and the tone. I even liked some of the CGI. My
favorite shot is in that big finale (which Scott is right: it goes on way too
long) when the camera follows the action without cutting so that we can see
each of the Avengers in some kind of heroic moment. The camera starts by
showing us Iron Man swooping in to help Captain America fight aliens on the
streets of New York. And then without cutting, the camera (or the computer) moves
from setpiece to setpiece catching glimpses of each Avenger at work. My
favorite moment within my favorite moments has to be when the camera moves from
Hawkeye battling aliens on a rooftop to the Hulk fighting on top of some kind
of alien aircraft with Thor dropping in off frame to join him. It’s encouraging
to see CGI being framed in a way (it actually comes across as if your eyes were
moving from panel to panel in a comic book) where the audience can actually
tell what the hell is going on.
I checked my cynicism at the door (I fully understand what
the studio’s intent is with The Avengers;
I also think that Whedon and co. do a fine job making the film come off as
something more earnest than its “hey, let’s get together all of our 100+
million dollar superheroes and make a movie that we know people will shell out
big bucks to see numerous times” exterior
suggests) and found a film that I was more than glad to spend a little over two
hours with. Huzzah.
