My answers to PROFESSOR LARRY GOPNIK’S POST-HANUKAH, PRE-CHRISTMAS, POST-SCHRODINGER, PRE-APOCALYPSE SLIFR HOLIDAY MOVIE QUIZ!

 

As many of you know, the esteemed Dennis Cozzalio throws out these quizzes (about) every holiday. The one exam that I almost always supply answers for is the Christmas quiz. It comes at just the right time for me: I have had about enough of lull in blogging post-Italian Horror Blogathon, and I just about finish grading for the term when these things go live on Dennis’ blog. These quizzes always act as the perfect remedy to my blogging malaise. I look forward to getting back to it these next three weeks (I’ll be seeing All is Lost tomorrow), filling the blog with all kinds of nonsensical ramblings. Anyway, thanks to Dennis for another fine quiz. Here are my answers ...
 
1) Favorite unsung holiday film

I really like The Ref, but since I saw that answer somewhere else, I’ll go with Harold Ramis’ underrated black comedy The Ice Harvest

2) Name a movie you were surprised to have liked/loved

My mind is only going towards recent viewing experiences, so I’ll go with the totally surprising In Bruges—one of my favorite films of 2008—which, thanks to some truly awful trailers, was being marketed as nothing more than one of those awful pithy, self-aware post-Pulp Fiction comedies about criminals a la 2 Days in the Valley and Things to Do in Denver When You’re Dead. In Bruges is so much more than that though. Anchored by a great Collin Farrell performance (and Ralph Fiennes doing his best impersonation of Ben Kingsley’s performance from Sexy Beast) and the always gorgeous scenery of Bruges, In Bruges is beautiful and funny and sad and violent and vulgar—and it’s all of those things brilliantly.

3) Ned Sparks or Edward Everett Horton?

Pass


4) Sam Peckinpah's Convoy-- yes or no?

YES! Just look at Kris Kristofferson in that picture!

5) What contemporary actor would best fit into a popular, established genre of the past?

Michael Shannon…in every genre, for the man can do no wrong.

6) Favorite non-disaster movie in which bad weather is a memorable element of the film’s atmosphere

Dean Treadway had a great answer for this one (A Simple Plan, one of my very favorite movies of the ‘90s), and I’m really tempted to just echo what he said…but I guess I’ll go with John Carpenter’s The Thing.

7) Second favorite Luchino Visconti movie

I’ve only seen one Visconti (The Leopard). Boo to me, I know.

8) What was the last movie you saw theatrically? On DVD/Blu-ray?

Theatrically: The Wolverine (yeah, I don’t get out much, but as I mentioned, I will be seeing All is Lost tomorrow)
DVD/Blu-ray: The Lords of Salem

9) Explain your reaction when someone eloquently or not-so-eloquently attacks one of your favorite movies (Question courtesy of Patrick Robbins)

My reaction is to listen.

10) Joan Blondell or Glenda Farrell?

Pass

11) Movie star of any era you’d most like to take camping

The juvenile male in me wants to say something like Keira Knightley…but since I’m a happily married man, I’ll go with Orson Welles…because it would be fun to eat S’mores and listen to his stories around a campfire.


12) Second favorite George Cukor movie

Adam’s Rib

13) Your top 10 of 2013 (feel free to elaborate!)

I usually don’t watch recent movies until I’m on Winter break. Since that just started, I haven’t seen enough titles to make a full list. The only 2013 films that I’ve seen that I like enough to put on an end of the year list would be Rob Zombie’s Lords of Salem and Michael Bay’s (yes) Pain and Gain. The former is likely to make the cut once I’ve seen more films, the latter (I suspect) will probably fall into the “runner’s up” category.

14) Name a movie you loved (or hated) upon first viewing, to which you eventually returned and had more or less the opposite reaction

I remember not liking Blade Runner all that much when I first saw it in high school, but I love it now. I also remember loving The Last Boy Scout when I was in middle school. In college, however, I revisited it and found it abhorrent. I can only watch it now through a snarky lens. It truly epitomizes all that is awful about the Bruckheimer/Simpson action film of the ‘80s/’90s. I honestly have no idea why my mind went to Ridley Scott and Tony Scott movies right then…

15) Movie most in need of a deluxe Blu-ray makeover

I’ve been sayin’ it for years: Criterion needs to rescue Peter Weir’s Fearless. My full frame, snapcase copy mocks me from across the room. Peter Nellhaus just informed me via Facebook that Weir's film has finally been released on Blu-ray. So, I'll go with Francesco Barilli's masterpiece The Perfume of the Lady in Black, a little-seen Italian horror film that deserves a much larger following.



16) Alain Delon or Marcello Mastroianni?

Marcello.

17) Your favorite opening sequence, credits or no credits (provide link to clip if possible)

I’ve always loved Argento’s way of opening films. Of course there’s his most famous opening (and rightfully so) in Suspiria, and the opening to Deep Red is something else, too (thanks in large part to Goblin’s fantastic score), but I’ll go with the showiness of the opening (the reflection in the raven’s eye, the subjective steadicam walking out of the opera rehearsal) in his underappreciated Opera (arguably his best looking film).

18) Director with the strongest run of great movies

Recently, it’s been Tarantino. I love pretty much anything the Dardenne’s do. Bergman had some amazing runs, but they were interrupted by some not-so-amazing attempts at comedy. Out of all the choices (and there are many), I’ll go with the obvious pick of Hitchcock and his decade long run in the ‘50s of good (Stage Fright, I Confess) to great (Strangers on a Train, The Wrong Man, North by Northwest) to outstanding (Rear Window, Vertigo) films. Also, some of my very favorite Hitch films are found in the ‘50s (Dial M for Murder, To Catch a Thief, The Man who Knew Too Much, The Trouble with Harry).


19) Is elitism a good/bad/necessary/inevitable aspect of being a cineaste?

On the right side of my blog, there is a quote from Tim Brayton that I think applies here:

"Clearly, this does not mean that Friday the 13th is more "valuable" than Jeanne Dielman [...] But, given the great many people who have seen Friday the 13th, where is the intellectual dignity in saying, "it's crap", and being done with it? Anything that has become an iconic part of popular culture is therefore inherently worthy of exploration if not automatic respect [...] If we simply throw it out with the bathwater, on the grounds that it isn't "artistic", we also throw out the possibility of ever finding out."

20) Second favorite Tony Scott film

Man on Fire



21) Favorite movie made before you were born that you only discovered this year. Where and how did you discover it?

A tie: 99 and 44/100% Dead and The French Connection II. I watched both on DVD for the Frankenheimer retrospective (which I will be starting up again after a looong layoff) I’m doing. Anyway, I’m glad I finally got to see The French Connection II because the rumors were true: it is better than the original.

22) Actor/actress you would most want to see in a Santa suit, traditional or skimpy

Can I use my Keira Knightley answer here?

23) Video store or streaming?

Video store, of course. Sadly, there aren’t any more in Salem. Some of my fondest memories are riding my bike after school to the local Mom and Pop and wandering through the Horror aisles, studying the images on those oversized clamshells.

24) Best/favorite final film by a noted director or screenwriter

It’s likely most will name John Huston’s wonderful The Dead here, so in the interest of mixing things up let’s go with Sergio Leone’s Once Upon a Time in America. I also have a soft spot for melodramatic maestro Douglas Sirk’s final film, Imitation of Life.

25) Monica Vitti or Anna Karina?

Pass

26) Name a worthy movie indulgence you’ve had to most strenuously talk friends into experiencing with you. What was the result?

I don’t know how to really answer this one.

27) The movie made by your favorite filmmaker (writer, director, et al) that you either have yet to see or are least familiar with among all the rest

I adore Bergman, but I have yet to see Persona all the way through (I have seen the opening and other clips).



28) Favorite horror movie that is either Christmas-oriented or has some element relating to the winter holiday season in it

I could get wacky here and go with the so-bad-it’s-good classic Silent Night, Deadly Night 2 with its infamous “Garbage Day!” line making it an all-time favorite for me. But the only answer here is Black Christmas.

29) Name a prop or other piece of movie memorabilia you’d most like to find with your name on it under the Christmas tree

I want whatever is in that damn briefcase from Pulp Fiction!

30) Best holiday gift the movies could give to you to carry into 2014

Keep on truckin’

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MapQuesting a Meme

Rick Olson of the superb Coosa Creek Cinema has tagged me for a meme. Here's the Q 'n D of it all:

1.) Think of a place (real or fictional) and time (past, present, future) portrayed in a movie (or a few) that you would love to visit.
2.) List the setting, period, applicable movie, and year of the applicable movie’s release (for reference).
3.) Explain why, however you’d like (bullet points, list, essay form, screenshots, etc.). If this is a time and place that you have intimate knowledge of, feel free to describe what was done well and what wasn’t done well in portraying it.
4.) If possible, list and provide links to any related movies, websites, books, and/or articles that relate to your choice (s).
5.) Modify Rules #1-4 to your liking. And come up with a better name for this meme.
6.) Link back to this Getafilm post in your post, please.
7.) Tag at least five others to participate!

That's from the GetaFilm site hosted by Daniel Getahun who is the originator of this meme. I had to think about this for a little bit. I don't mind the whole meme thing, it's just sometimes it's hard for me to follow the rules. So I'll do my best. I started thinking about what places I would like to visit and oddly enough almost all of my conclusions came to some form of a director's alternate universe. These films, with the exception of one title, exist in the years they were released. As is the case with any of these lists, this is in no way a definitive culmination of my brainstorming...but it's the best I could come up with for now, so let's get to it...


I'm going to do this by chronological order of when the film came out (Oh, and all of my DVD's are boxed up in storage right now, so all screen caps are coming from the net and some of them aren't as specific as I would be had I access to my own collection):


Duck Soup (1933, directed by Leo McCarey)

Ah yes, what a maddening euphoria it would have been to exist in Freedonia. Duck Soup is a film that takes place in an alternate universe, sure, but it seems eerily absurd like The United States of America. There are a lot of parallels to Freedonia's problems and the problems we face in America today, so how great would it be to have lived in Freedonia with a president who (gasps) tells the truth. Oh how we could have used someone like Rufus T. Firefly in our previous administration to just tell it like it is...if only there was a song...

"If any form of pleasure is exhibited, report to me and it will be prohibited! I'll put my foot down, so shall it be... this is the land of the free! The last man nearly ruined this place he didn't know what to do with it. If you think this country's bad off now, just wait till I get through with it! The country's taxes must be fixed, and I know what to do with it. If you think you're paying too much now, just wait till I get through with it!"

Anyway, that's just part of the fun of this film. It's one of the all time great comedies, and I think it would have been a hell of a ride going through what we went through for eight years (and are still feeling the effects of) with someone as blunt and rudely honest as Firefly. Hey, at least we would get the truth.



The Alternate Universe that is 1970's Italian Horror (1970's, directors: Lucio Fulci, Umberto Lenzi, and Dario Argento)

Whenever I talk about Italian Horror on this blog I almost always throw around the word ethereal. These films displace the viewer creating alternate realities that are unlike anything in the genre. Sometimes that's a good thing, but more often than not it's a bad thing. Take for instance the place I would love to visit from all of these 1970 Italian Horror films: "New York City". This "NYC" is actually Rome posing as the Big Apple (except for a few of the exteriors in Fulci's Zombi 2), and often times (like Kubrick's "New York" in Eyes Wide Shut) it does create an eerie feeling (usually if in the hands of Argento or a motivated Fulci, not hacks like Lenzi) that displaces the viewer. It's also the backdrop for what are some of the craziest goings-on I've seen in any horror film. The "city" is also often the catalyst for sending our protagonists in jungles of the Amazon where they are killed by cannibals. I think I'd like to go there to tell these characters that you don't have to stand there and watch them eat your friend...you can run and get the hell out of there!


More than anything the "New York" and other alternate realities of Italian Horror (especially "Louisiana" from Fulci's The Beyond) are home to sport coat wearing zombies; killer spiders (some real, some not so much) that hiss like snakes, and chew off people's faces; and among other things, an all Jazzercise channel that gets interrupted by tons of infected, blood-thirsty scientists. Come on! Who wouldn't want to be a part of that swingin' "city".



The Talented Mr. Ripley (1999, directed by Anthony Minghella)

The Rome of Minghella's masterpiece (I must really want to visit Italy) is the most realistic out of all of these places that compile this list. The Rome I want to visit exists in the 1950's, specifically the Rome as experience by rich, easy-going playboy Dickie Greenleaf, his fiance Marge, and a mysterious "friend", Tom Ripley. Before the horrifying events unfold that really set this brilliant film in motion, the viewer is treated to a bevy of luscious scenery and stunning on-location cinematography that made me want to, for the only time in my life, wish I were rich. To be rich and to be in Dickie's position -- to drive around Rome on a Vespa with a beautiful woman, drink expensive alcohol while laying on the beach, sitting in cafes all day, have no responsibilities -- and to have it all in beautiful 1950's Rome...well sign me up. I could live there forever. Especially when Tom and Dickie go out on the boat and are surrounded by nothing but beauty and an eerie silence, a man could definitely be inspired there. Well until...you know...that thing happens...



American Movie (1999, directed by Chris Smith)

You can kind of call this an alternate reality because really I don't think amateur horror filmmaker Mark Borchardt has any idea what reality means. But man is he passionate about getting his film made, and that passion is infectious. The specific place I would want to be is in Milwaukee with Mark, all the time, talking about horror film (it's no secret what a fan I am of the genre), and hoping that just maybe, someday, I could be as passionate about something as he is about getting his film Coven made. The specific scene I'm thinking of is when he's editing late into the night at the local university, splicing together scenes at the last second, mulling over every decision like Scorsese would with his films. It's a scene that shows the drive (even though often he appears to have no drive) this man has. It's kind of like the Coens' Fargo: these people are etched out of a specific geography, and I wouldn't mind being there, because really, there's a character on every corner.



Apatown, U.S.A. (2000's, directors: Judd Apatow, Greg Mottola, and Akiva Schaffer)

This is another one of the alternate realities that I would love to live in where guys like Steve Carrell, Jonah Hill, and Seth Rogen are hooking up with beautiful women. I'm like those guys...and I guess this alternate universe isn't so far fetched since I am getting married this summer to a beautiful woman...so hey, us nerds do get lucky sometimes (for the record I don't know how I fooled my fiance...). Films like Superbad and The 40 Year-Old Virgin and Knocked Up exist in that bizarre Apatow realm where geek is chic and it doesn't matter what you look like, what your social status is, or any of that crap: it's your individuality (and weirdness...or read: geekiness) that sets apart from everyone else and makes you attractive.


I threw Akiva Schaffer's name on there, too, because he's obviously indebted to Apatow's style, plus I've been obsessed with Hot Rod lately: it's a brisk 80 minute comedy starring Andy Samberg that also exists in the same retro, thrift store habilimented (thank you Thesauras iPhone app!) universe where the dork gets the extremely beautiful girl (Isla Fisher) because they don't change who they are. By the way, the movie actually is pretty funny and I can't convince myself to stop watching whenever I come across it on Direct TV.


Well, there ya have it. I proabbly flubbed the rules a bit, but these are the places in film I would most like to visit. So...it's taggin' time:

Troy, Sam, Ed, Andrew, and Ali.

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Can I Interest You in a Meme?

Thanks to Edward Copeland over at Edward Copeland on Film, I've been tagged for a meme. So beware. Some of you may be next. The idea is simple....kind of: list your ten favorite film characters. Not actors, but characters. This is hard because a lot of my favorite characters come from the same films, but in the interest of not having a list full of characters from a total of three movies, I decided to try and mix it up a little. In no way is this a definitive list; however, it's a pretty good idea of what characters have stuck with me over the years. Some are recent, some old....at the end of the list I will complete the rules of this meme, which is to tag five more people to continue the meme. So, let's get on with it...

In no particular order:

1.) Nathan Arizona - Raising Arizona

Not the conventional pick from this classic Coen Brothers comedy, but really it's the one character that stands out the most to me. I almost did go with the conventional pick, Nicolas Cage as H.I. McDunnough, but the late Trey Wilson's performance as Nathan Arizona is the performance that still resonates with me. He epitomizes everything that is great about supporting characters in Coen Bros. movie, and his speech at the end of the film is a beautiful mixture of Coenisms and authoritative advice. Plus who could forget this exchange:

Policeman in Arizona house: What did the pyjamas look like?
Nathan Arizona Sr.: I don't know - they were jammies! They had Yodas 'n' shit on 'em!

One of the all time great supporting performances and one of my favorite Coen Bros. characters (my favorite is coming up later). It's sad that Wilson, a gifted character actor, died fairly early into his acting career at the age of 41. He was one of the best. Or my name aint Nathan Arizona!


2.) Ellen Ripley - Aliens

The ultimate bad ass in all of sci-fi is one of the most memorable characters in all of film. Sigourney Weaver made the role her own, proving that a female could open an action movie (or a big budget movie) without the help of a male lead. It's the one film in the series where we see Ripley's maternal instincts as she cares for the waif like Newt. It's some of the best acting Weaver has done as she portrays one of the strongest female characters in all of film. Also, she gets one of the most memorable and cheer-inducing last lines when she screams "get away from her you bitch!"



3.) Frank T.J. Mackey - Magnolia

Tom Cruise this caricature of a character into something deeper and more profound. Yes, the entire film goes for big operatic moments, and no actor is more up to the task than Cruise. His character, a sex guru who specializes in the 'art' of not just being able to get women in bed, but how to to do it while being unattached. Mackey is one of those characters that you know exists in the real world, thinking that women are always out to get him. What's so memorable are the completely hilarious conferences he holds for his product called "Seduce and Destroy". It's one of the cinemas most bizarrely funny moments, because really we're looking at an individual who is so obviously empty and has issues from his past with women (or the way they were treated by people he loved) that director Paul Thomas Anderson is able to evoke both empathy and laughs out of Mackey's speeches. When it's all said and done (the film that is), the reason why this character stands out for me is that even in the most 'disgusting' people, there is hope for redemption. Cruises' Mackey is one of the actors greatest creations.


4.) Shelley Levene - Glengarry Glen Ross

Shelly 'the machine' Levine is one of the all time memorable characters. So pathetic in his attempts to try and make it in the modern day sales world, that he can't see that the times have passed him by. Once a great salesman, the truly pathetic thing about Levine is that he spends more time selling his bosses on the fact that he still can cut it, instead of going out an making sales. There are moments in the film that prove why Shelly is one of my favorite characters, none more obvious than the ending, when we see a man broken and beaten, committing an act he will have to pay the price for all because he loves his daughter and feels lost, confused, and misused in the modern day sales world. Jack Lemmon played Levine to perfection, and what makes the character memorable for me is that every time I watch the film (which is often) I always wish he would not to do what he does at the end, and that his phantom sale actually does mean redemption for the character. When you're still that emotionally involved with a character after more than 20 viewings of a film, then that's how you know you have a special actor creating a special character. The character lives on in the form of Gil Gunderson, the pathetic do-anything salesman on The Simpson's


5.) Clarence Boddicker - Robocop

One of my favorite villains from any movie, Kurtwood Smith created the perfect nihilistic monster in a futuristic Detroit devoid of any police presence. "Can you fly, Bobby!" and "Are you a good cop, hot shot", are memorable lines that come to mind, not mention the maniacal way he sizes up Peter Weller's cop (pre-robo) before he shoots his hand off. It's a great performance, filled with beautiful over the top moments (dipping his finger in wine and then snorting it) that really, for me, epitomizes what the 1980's action villain was all about.


6.) The Bride - Kill Bill

There was no journey I was more invested in than The Bride's in Quentin Tarantino's masterpieces Kill Bill Vol.1 and 2. It's one of those journeys of revenge that is found in all of the usual Tarantino films he studies and adores, but what made this one more enjoyable was the emotion that Uma Thurman brought to the character of The Bride. This wasn't a simplistic grindhouse revenge picture, Tarantino's film was more than a pastiche of film references from his youth, it was a tremendous story of what a mother will do to get her daughter, and all of that emotion and deeper analysis that comes with the film is due to the seriousness Thurman brings to her role. The Bride kicks a lot of ass, yes, but it's with purpose, and when that final act comes in Volume 2, it's truly heartbreaking....and when we see the final scene of the film, The Bride cradling a stuffed animal on the bathroom floor, tears of joy streaming down her face, and all she can do is let out a noise that is a mix between a sob and laugh, we sob and laugh with her. It's the best acting Thurman's ever done and it's one of those characters that you don't mind revisiting because they are super cool and they get a happy ending.


7.) Dr. David Huxley - Bringing Up Baby

Probably my favorite character that Cary Grant ever played, Huxley is one of those memorable screwball characters who is so uptight, that you love watching their transformation into a more laid back, less self-serving person. It's one of those roles, too , that show why Grant was such a tremendous comedic actor. Howard Hawks' film is one that I never mind revisiting, and a lot of that is due to Huxley, a character that you don't mind spending time with, even if he is uptight, because we know he'll experience things along the way that will help him see the err of his ways. Plus, there are few greater moments in classic comedy than when Huxley is left to wear a female robe and resorts to screaming a response as to why he's wearing those clothes when he says "because I just went gay all of a sudden!"


8.) Del Griffith - Planes, Trains, and Automobiles

John Candy may not have been the funniest guy in the world, but his portrayal of Del Griffith is his zenith as an actor, and it's how I'll always remember him. Griffith is one of those creations made specifically for a John Hughes movie, which means we've all met someone like Del before because Hughes was so great at creating real to life characters. Griffith is one of those characters you tell yourself you'd love to sit and talk with and hear his stories, but then it becomes too much. Neil Page (Steve Martin) discovers this throughout the film as a friendship does indeed grow between the two men, it doesn't come without its rocky parts. Griffith is a guy we constantly feel for because he seems likable enough, but which one of us wouldn't snap at him like Page does in the famous scene in the hotel room. "Here's Del Griffith he's got some amusing anecdotes for you, here's a gun you'll thank me." Those lines sting, and the viewer feels the sting, too, because we care so much about Griffith. He's another in a long line of these kinds of characters where I ask myself, would I like to spend another two hours with him, and the answer is yes.


9.) Marge Gunderson - Fargo

I wish we could all know someone as nice as Margie. Frances McDormand created a brilliant character for the ages with her portrayal as pregnant sheriff Marge Gunderson. The dialect, the mannerisms, the famous lines; they've all been mentioned to death. What makes Margie such a memorable character for me is her warmth. Consider the scene where she meets with an old high school 'friend', the way she is cognizant of what he is trying to do, and how she balances trying to let him know she's married and not interested, and the way she tries to spare his feelings is a tremendous balancing act. Another scene is in the way she assures her husband, an artist who has has one of his paintings of a bird selected for the three cent stamp, that even though it's not the stamp everyone uses, lots of people still use the three cent. Her reasoning for this is so warm and compassionate. McDormand pulls is off perfectly creating one of the warmest characters in all of cinema.


10.) Dean Miller - Nightmare City

Well, last but certainly not least is the man I've named the blog after, Hugo Stiglitz. Dean Miller is the ultimate representation of the male character in every Italian Horror film. Dedicated to the cause, no matter the price he pays or the risk he puts his wife in. He even slaps her around for a bit because she is hysterical, and then they immediately kiss and make up. Really, this selection is just a conglomerate of all the great and memorable characters I've seen over the years in Italian Horror films. And, it was yet another excuse to mention the brilliance of Hugo Stiglitz.


Okay --- five blogs that I'm choosing to participate in the fun (sorry if you've already been asked):

Elusive as Robert Denby
Cerebral Mastication
Coleman's Corner in Cinema
Gateway Cinephiles
The Film Doctor

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Meme means breast in Turkish?

Well according to Cerebral Mastication's Ali Arikan, who tagged me for this particular meme, it does. No I am not going to be writing about breasts or Turkish breasts for that matter, but here all the simple rules of this particular meme:

1) Pick up the nearest book.
2) Open to page 123.
3) Locate the fifth sentence.
4) Post the next three sentences on your blog and in so doing…
5) Tag five people, and acknowledge who tagged you.

So there ya have it. The book I have next to me at the moment is John Banville's The Book of Evidence which was shortlisted for the Booker Prize in 1989. If you've seen the hilarious French faux-doc "Man Bites Dog", then you can get a good idea of what this novel is about and how it treats its main character, Freddie Montgomery, a man who kills because...well...he can. I wasn't too hot on this book when I started it, but it has really started to grow on me. Here Freddie is explaining the questioning process:

I am merely another name on a list. They are mild, soft-spoken, stolidly deferential, a little bored. I respond to their questions politely, with a certain irony, smiling, lifting an eyebrow -- It is, I tell myself smugly, the performance of my life, a masterpiece of dissembling.

Thanks for the tag Ali...and for the rest of you...tag you're it (okay that was too easy):

Troy Olson's Elusive as Robert Denby
Larry Linebaugh's To Infinity and Beyond
Kennettron 5000
Phillip Kelly's Phil-Zine
Mr. Holman's True Life: I'm a New Yorker?

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